Treasures Of Early European Art
SCULPTURE ICONS JEWELRY GLASS VIKING, etc. LAMPS FIGURES SEALS
EARLY CHRISTIAN MEDIEVAL SCULPTURE
ORIGINAL ITALIAN RENAISSANCE SCULPTURE! 13058. PAIR OF ITALIAN RENAISSANCE MARBLE ACOLYTES, Rome or Florence, c. 15th century. Two finely carved white marble acolytes on white marble and walnut base. The acolytes 13 and 11 cm. height, the marble base 15 x 30 cm. The acolytes in typical kneeling position with one hand at side facing outward, the other hand crossed over their breast would have originally framed a carved altarpiece. Figures on stand. Left figure front. Right figure back. Left figure back.
Provenance: The Paul Suttman collection. Acquired by Suttman in the 1960's when he lived in Italy as a fellow of the American Academy of Rome. Three time recipient of the prestigious Prix de Rome Paul Suttman (1933-1993) was an internationally known American sculptor who produced many impressionistic figurative works in bronze. Mr. Suttman's work is represented in the Museum of Modern Art, the Morgan Library, the University of Michigan Museum of Art, and the Hirshhorn Museum and Sculpture Garden in Washington. More information on Suttman can be found at NY times obituary. Acquired by the current owner from the Suttman estate in the 1990's.
EARLY CHRISTIAN PAINTING & ICONS
8400. BEAUTIFUL MEDIEVAL STYLE ILLUMINATED LEAF, 19th century. Beautifully hand painted work on old vellum, the reverse of the sheepskin with traces of medieval writing visible. The type from a Book of Hours depicting Saint Christopher. 7.5 x 10.5". In professional custom acrylic frame. Enlargement.
8401. BEAUTIFUL MEDIEVAL STYLE ILLUMINATED LEAF, 19th century. Beautifully hand painted work on old vellum, the reverse of the sheepskin with traces of medieval writing visible. The type from a Book of Hours depicting a Saint (Saint Patrick?) with a harp having a vision of a flying red dragon over a castle. Professional custom acrylic frame. 5 x 8.5". Enlargement.
8402. BEAUTIFUL MEDIEVAL STYLE ILLUMINATED LEAF, 190th century. Beautifully hand painted work on old vellum, the reverse of the sheepskin with traces of medieval writing visible. The type from a Book of Hours depicting the vision of Saint John the Evangelist. Professional custom acrylic frame. 5 x 8.5". Enlargement. Gold leaf inscription.
VIKING & EARLY TRIBAL CULTURES
HEAVY GERMANIC SILVER!
12908. LARGE PAIR OF SILVER ARMBANDS. Central Europe, Germanic, c. mid 1st millennium AD. 4.25 x 4.5 inches. 1 lb 2 oz. (510 g.) A very ornate matching pair in great condition. Glossy black patina with silver showing through on the edges where there is wear, light soil deposits. Worn by a high status chief or warrior. Provenance: The property of a European gentleman. Reverse.
8325. HUN OR AVAR SCABBARD FITTING, c. 4th-6th century AD. In the form of a feline head. Would have reinforced the lower end of a leather scabbard. 1.8". Rare and nice.
MEDIEVAL & EARLY CHRISTIAN JEWELRY
11668. FINE MEDIEVAL ORNAMENT WITH GILDING AND NIELLO. Hungary, likely Arpad Hazi royal bloodline period, c. 1100-1300 AD, the first Hungarian royal dynasty. The ornament in silver with niello inlay and gilded borders, with four small tenons for attachment on the back. Likely used to ornament some wooden liturgical casket or perhaps the jewelry box of a noble. 14 x 15 mm. A very fine quality and very rare medieval ornament. Back view. Provenance: From a private Hungarian collection formed in the 1950's. In the US since the 1960's.
11667. RARE LIMOGES GILDED FITTING WITH THE WINGED OX OF ST. LUKE. Limoges, France, c. 12th century AD. The bronze fitting with holes for attachment to a wooden liturgical casket or perhaps the jewelry box of a noble, or possibly a bookplate. The piece ornamented with a gilded angel or perhaps a winged ox, the medieval symbol of St. Luke, the Evangelist. The winged ox is the symbol of St. Luke the Evangelist, anticipated by Ezekiel. The ox, recognized as the animal of sacrifice, was applied to St. Luke because his Gospel emphasizes the atonement made by Christ's sacrifice of himself on the Cross. 1.25 x 2.5 inches. Similar example found in a dig at Buckfast Abbey, Devon, England. Provenance: From a private Hungarian collection formed in the 1950's. In the US since the 1960's.
9766. INLAID ROMANO-BRITISH ENAMELED BROOCH, c. 4th-5th century. Of rhomboidal form with inlays of white, blue and orange enamel remaining. Pin lost. 1.5 inches. Beautiful bright colors!
MEDIEVAL GLASS
MEDIEVAL & EARLY CHRISTIAN LAMPS
7343. RARE CRUSADER GLAZED OIL LAMP, c. 12th century AD. Green glazed lamp with characteristic drip catcher body. 3.75 inches. Excellent condition. Rare.
7344. RARE CRUSADER GLAZED OIL LAMP, c. 12th century AD. Yellow glazed lamp with characteristic drip catcher body. 3.75 inches. Excellent condition. Rare.
10019. MID 18TH CENTURY FLEMISH BRASS LAMP, Europe, Flanders (Belgium), c. 1760. A gorgeous early northern European brass lamp, constructed of three pieces, with a lidded body made to fit a pendant stand with an integral tall, curving handle. The body has a long spout extending from one side. The lid is multi-tiered and ornate, capped by a rounded finial. A slit in the handle would allow it to be hung, spreading light throughout a room. Brass objects from the early modern period were produced in great quantities, but almost never survived, because brass and bronze were constantly appropriated by visiting armies to be turned into artillery. From kitchen utensils to church vessels, everything was melted down to create cannons when soldiers came to town - and in this politically turbulent period, that was often! The style of this lamp looks similar to one known to be used by a baker to light his workspace. Size: 8" W x 9.95" H (20.3 cm x 25.3 cm) c. 1760's. Constructed of three pieces including the body, lid and stand with handle. Early North European type. Scarce. Nice patina on surface from age and handling. Side 1. Side 2. Side 3. Side 4. Side 5. Side 6. Side 7. Side 8.
EARLY CHRISTIAN SEALS & STAMPS
CRUCIFIXES AND EARLY CHRISTIAN FIGURES
7265. CHARMING EARLY ITALIAN BRONZE BROOCH WITH EROS CUPID, 18th-19th century. 40 mm. Beautiful artistic workmanship.
THE LION OF VENICE 8167. MEDIEVAL BRONZE VENETIAN LION, Venice, c. 7th - 12th century. Finely detailed crouching lion. 1.5 inches. Remains of a bronze mounting pin through one paw.
8326. A FINE RENAISSANCE BRONZE LION APPLIQUE, Southern Europe, Italian or French, c. 12th-16th century. 2.2". Excellent style and patina. Very rare.
8327. UNUSUAL DARK AGES BRONZE CASKET LEG, c. 5th-7th century. Of barbaric form with a human head protruding from the chest of an eagle. 2". Excellent condition. Rare.